Hi Sinister,
If you like someone, go out with them and do things people who like each other do. If you dont, then don't.
How can this be until the things we like about people in this way attain the status of things we like about people? Until the things we do to show that we like people in this way attain the status of things we do to show we like people? Last last October when M visited N, P, and I while we were living in R's house (that's when he went into the back garden and pointed out the lavender and dill), he was eager enough to examine N's books but either from an excess of decorum or a lack of interest didn't bother to look at mine. Decorum must have at least had some part of it because upon gaining the upper part of the house he looked away from the door left open to my room. And even though he is good friends with P, he didn't look at her books either, though at that point I'm not certain she had them unpacked. Yet in the office, he and his best friend S make stiff unnatural jokes full of innuendo. (In every other way, he seems faultless. It's true that he's proud, but justifiably so, like Darcy. But it doesn't matter because I'm leaving. In memory, it will be as real as something read in a book.) In the interview for the rectorial campaign, it was nice to read about Stuart's experiences at Glasgow University and how he thought it might help him help others. He could have helped Franny. Zooey's mannerisms annoy me. He is not spiritual. I like this expression "I don't rate so-and-so". Indifference, for example, is worse than another lover. But when (s)he's feeling holy it could mean something else - no presuppositions - a blank slate - no, (s)he doesn't rate anything! Let Franny preserve the illusion of herself as the "languid sophisticated type" if it keeps her fear that she will compete from turning into a fear that she cannot compete. I have the feeling that Salinger means for us to think that the illusion will only be necessary until Franny turns into a younger version of Boo Boo, full of grace but with no place, really, in a story, just one of those standing in the wings. He let us know in so many words that she isn't brilliant, impressionable and tenderhearted is all. (How much does that count for in your book?) Back in September of '97, the duke wrote, "new Sea and Cake record is astonishingly good," which would be relevant today, and would have been in '93 and '95 as well. From the programming of the drums on "the argument" to the "oohs" and "aws" on "Showboat Angel" to the arc of the cello overlaid with the swoon of the violin on "Parasol" - the Sea and Cake manage to sound nonchalant and soulful and oh, so pretty by turn, and sometimes all at once. And with titles like "Bring My Car I Feel to Smash It" and "A Man Who Never Sees A Pretty Girl That He Doesn't Love Her A Little", they have the wit and archness to fend off session musicians and academics alike. (Sorry for sounding like a third-rate reviewer for AMG; it's just that trying to sound convincing and get in important details made it turn out that way.) Yours truly, Youn +-------------------------------------------------------------------------+ +---+ Brought to you by the Sinister mailing list +---+ To send to the list mail sinister@missprint.org. To unsubscribe send "unsubscribe sinister" or "unsubscribe sinister-digest" to majordomo@missprint.org. WWW: http://www.missprint.org/sinister +-+ "sinsietr is a bit freaky" - stuart david, looper +-+ +-+ "legion of bedroom saddo devotees" "peculiarly deranged fanbase" +-+ +-+ "pasty-faced vegan geeks... and we LOST!" - NME April 2000 +-+ +-+ "frighteningly named Sinister List organisation" - NME May 2000 +-+ +-+ Nee, nee mun pish, chan pai dee kwa +-+ +-------------------------------------------------------------------------+