I think everyone who appears on B&S sleeves is a nutter. Although under three minutes long, "Legal Man" feels like the "Infinity and Beyond" sequence of "2001 - A Space Odyssey". But I'm beginning to dig it. I'm particularly keen on Chris's long-overdue Clint Boon tribute. I think they should have turned the fuzz guitar up to eleven though, and drowned everything else out with it. Alix, Fuzzbox are great, aren't they? I like the one with star-shaped sunglasses best, I bet you do too. I know Fluffy does. I'm enjoying this B&S media circus. Richard seems a bit confused in "El País". He seems to think B&S have been the victims of some kind of music press conspiracy, yet I can't remember many bad reviews. In fact I can remember far more good reviews than any band can normally expect. It's a shame that they have to resort to this victim mentality, makes them sound like spoilt soppy tosspots whining to their mummies. That's not the Dunkirk spirit. Why do so many indie bands want to be associated with Sly and the Family Stone? Surely Amon Düül II would be a closer analogy. I often have that dream about Chris Leonard being a Lesbian. Peter +----------------------------------------------------------------------+ +---+ Brought to you by the undead Sinister mailing list +---+ To send to the list mail sinister@missprint.org. To unsubscribe send "unsubscribe sinister" or "unsubscribe sinister-digest" to majordomo@missprint.org. WWW: http://www.missprint.org/sinister +-+ "legion of bedroom saddo devotees" "tech-heads and students" +-+ +-+ "the cardie wearing biscuit nibbling belle & sebastian list" +-+ +-+ "sinsietr is a bit freaky" - stuart david, looper +-+ +-+ "pasty-faced vegan geeks... and we LOST!" - NME April 2000 +-+ +-+ "peculiarly deranged fanbase" "frighteningly named +-+ +-+ Sinister List organisation" - NME May 2000 +-+ +----------------------------------------------------------------------+