Sinister: I'll only buy a book if it takes me forever to find it...
Hello, everyone! (B&S musical content at the end -- really!) Has anyone else found that the harder something is for you to attain, the more eager you are to have it? That whatever it is you're after becomes even more attractive and more valuable? Case in point, out of the blue recently, I've gone on a quest for a book called The Godwits Fly. Has anyone else out there heard of this book? A bit of history first: back in high school, I used to listen to radio dramas that were broadcast on Sunday nights. One Sunday, the radio drama adaptation of a book from New Zealand was broadcast. It was entitled The Godwits Fly and was about a girl by the name of Eliza who grew up in New Zealand yearning to travel and live in England. From what I recall, godwits are birds in NZ which migrate to England for a while and then return -- any people from NZ out there want to clarify this? -- and people who wanted to 'return' to England were called godwits themselves. I don't recall the rest of the story (silly me), but it was basically a coming of age tale and I thought it was grand at the time (I was also very much into Britpop at the time, so I related a bit to Eliza). The radio adapation was presented in 2 parts, I believe, and I was lucky enough to tape the second part. (Unfortunately, I left the tape back in my home town, which I don't currently live in.) Recently, I've decided to find the book the radio drama was based on, but have had little luck. I did a search for it on Amazon, but to no avail. I've searched in other places (rare book searches) and found that it is out of print. I'm just curious if anybody out there has heard of this. :) It was written all the way back in 1938, I believe, and reprinted in the '70s. (?) It's probably a lovely book and I'll enjoy it immensely when I find it, but till then I will continue my search. Also, if anyone is in a bookstore, try to find this book. I would like to know if it's still available in some places. Oh, and the author's name is Robin Hyde. And here's the B&S content. For all you musically-inclined types, I was wondering if I was the only one who hears a major->minor chord progression in LLPJ. It's at the part of the melody which goes "...time, when you are free from all the trouble you're in..." I'm asking because I always thought it interesting that the chords there were Bbm->Ebm but it SOUNDS like the melody sung is on top of a major->minor chord. But it's not! I don't know if anybody else understands what I'm saying, but I don't care!! :) What I mean by major->minor is something like playing a IV->iv progression, which is a bit of a cliche, really. Pulp seems to like to use this a lot. Anyway, those AREN'T the chords played, but damn! it sure sounds like it. (If you're near a guitar or a piano, play an Fmaj followed by an Fmin to see what I mean.) If you listen very carefully towards the last verse at the part where it goes "...got your name and what you're gonna do about it...", you can hear the piano and it really sounds like a major->minor is played (perhaps as harmony?)... heheh, I hope I got some of you to listen very, very carefully to the song now. :P Hey, this might be an interesting thread to start, having people mention subtle nuances of B&S songs so we can all go on a scavenger hunt! :) For instance, at approximately 1:23 of Ease Your Feet Into The Sea, you can hear someone count in on the left speaker. Anyone else? Anyway, if anyone wants to discuss musical theory behind B&S music, email me! I'm currently trying to learn exactly what makes their songs so darn infectious. Cheers! Allen -- "Long afloat on shipless oceans I did all my best to smile Till your singing eyes and fingers Drew me loving to your isle." -- Song to the Siren, Tim Buckley. +----------------------------------------------------------------------+ +---+ Brought to you by the reborn Sinister mailing list +---+ To send to the list mail "sinister@majordomo.net". To unsubscribe send "unsubscribe sinister" or "unsubscribe sinister-digest" to "majordomo@majordomo.net". WWW: http://www.majordomo.net/sinister +-+ "legion of bedroom saddo devotees" "tech-heads and students" +-+ +-+ "the cardie wearing biscuit nibbling belle & sebastian list" +-+ +-+ "jelly-filled danishes" +-+ +----------------------------------------------------------------------+
On Wed, 26 May 1999, allen wrote:
And here's the B&S content. For all you musically-inclined types, I was wondering if I was the only one who hears a major->minor chord progression in LLPJ. It's at the part of the melody which goes "...time, when you are free from all the trouble you're in..." I'm asking because I always thought it interesting that the chords there were Bbm->Ebm but it SOUNDS like the
That should be the chord progression of Ebm->Bbm, not the other way around. :P Sorry for this short correction post, but I hate it when I'm wrong... Allen -- "Long afloat on shipless oceans I did all my best to smile Till your singing eyes and fingers Drew me loving to your isle." -- Song to the Siren, Tim Buckley. +----------------------------------------------------------------------+ +---+ Brought to you by the reborn Sinister mailing list +---+ To send to the list mail "sinister@majordomo.net". To unsubscribe send "unsubscribe sinister" or "unsubscribe sinister-digest" to "majordomo@majordomo.net". WWW: http://www.majordomo.net/sinister +-+ "legion of bedroom saddo devotees" "tech-heads and students" +-+ +-+ "the cardie wearing biscuit nibbling belle & sebastian list" +-+ +-+ "jelly-filled danishes" +-+ +----------------------------------------------------------------------+
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allen