Dears! I actually have agendas to address this great great afternoon....just getting home from work at PJ's deli on the beach here on this beautiful barrier island has got my lanky fingers itching for some thoughts to translate... Allen thus spake: *For all you musically-inclined types, I was wondering if I was the only one who hears a major->minor chord progression in LLPJ. It's at the part of the melody which goes "...time, when you are free from all the trouble you're in..." I'm asking because I always thought it interesting that the chords there were Bbm->Ebm but it SOUNDS like the melody sung is on top of a major->minor chord.* You're right! I just ran all the way over to the other side of the room and got my copy of LLPJ and am currently finishing it out loudly with a dramatic, wholesome, and ear throbbing design. A design delegated by the spirit. Anyways, yes, yes yes, it is a major/minor progression vocally over the B&S typical root/dominant chord progression. Rightly so, Pulp is the one band that does come to mind that makes use of said procedure diabolically. Of course they have somewhere around 35 instruments, synths, and triangles all doing this progression, so it's a bit more intense, but songs like Underwear and Lipgloss come to mind instantly. Go on, listen to them, with Underwear it's the bit that goes "and close the curtains, cus you're not going anywhere" is a D-->Dm progression, and with Lipgloss it's located at the end of the chorus, "turn him on, there's something wrong, you had it once but now it's gone". That's an F-->Fm kiddies. Go, teach yourself the wonders of P!O!P. It's all educational. Martin then pooted: *Then it got worse and this Prog rock nonsense came on and I started thinking oh my god what did the Who do, and wishing they'd all died before they got old and stuff. Then I found out it was actually Rush. It was an easy mistake to make though.* Ok this really really hurt little ol Blakie. Rush, and The Who?! That's like comparing B&S and Don Henley for God's sake. (no offense to Eagles fans, but hey, I consider them fake, and I don't want hate mail, please) I can't say I appreciated said comment, but upon my frequent reflection on The Who, sometimes I do think they should have stopped before It's Hard, and maybe even Face Dances. Bu...er....what am I saying? I love anything anyone from The Who has ever done and my WHO related cd collection is now over 60 separate cds. Ok I'm obsessed. Cheers to Sister Disco for mentioning my dear friend Rabbit. He never got the credit he deserved for backing up the 'OO in 79, 80 and 81 (and 96/97 for those who, like The Who, are always on top of everything). I'd just like to comment additionally that you lot have been spitting out some adorable posts in the past few days and have all given me a reason to come home quickly and gaze at a pixelated mess, anxious for more. Love, blake -- -- -- -- -- -- -- -- -- -- -- -- -- -- "Fuck!" - Jarvis Cocker +----------------------------------------------------------------------+ +---+ Brought to you by the reborn Sinister mailing list +---+ To send to the list mail "sinister@majordomo.net". To unsubscribe send "unsubscribe sinister" or "unsubscribe sinister-digest" to "majordomo@majordomo.net". WWW: http://www.majordomo.net/sinister +-+ "legion of bedroom saddo devotees" "tech-heads and students" +-+ +-+ "the cardie wearing biscuit nibbling belle & sebastian list" +-+ +-+ "jelly-filled danishes" +-+ +----------------------------------------------------------------------+