Sinister: HAPPY HAPPY DAY!, plus Elec. Renaiss.

[Hopkins T]

	The Count of Catford said:
	> IF the reason for
	>writing ER was indeed as the suggestion had been
	>(that Stuart wanted to show how simple it was to
	>write a 'dance' record),then he'd not only kinda
	>failed, but actually missed the point altogether.
	>i was trying to show the spurious content of the
	>IDEA, not commenting the nature of the song
	>itself...

	fair enough. Incidentally, ER really reminds me of are those
McCarthy dance remixes-b-side of This Nelson Rockerfeller?- which worked
and didn't work in equal amounts. They, like ER, came as a real shock to
me at first, but I grew to love some of them dearly, as I do ER.
	Also, I like a little hamfisted dabbling in other genres: like
the early Happy Mondays' take on funk, or the Fatima Mansions' version
of 'Shiny Happy People'. Doesn't always work, of course. Just ask Sting
about reggae. Or jazz, for that matter.

> >>         Lastly, I don't love B&S for their
> >> guitar-led brilliance. I love
> >> them for their brilliance.
> >>         It may only be in my head, but there's a
> >> difference.
> 
	>totally agreed.... maybe i just didn't write
	>clearly enough last time, which wouldn't surprise
	>me this week at all.  

	Just to be clear, my comment was made in resopnse not to you,
duke, but to belleanseb...

	>it's like Kevin said, 'there
	>are only two types of music.  the great and the
	>not great'.  Can't say fairer than that now, can
	>you?  Strangely natural, naturally strange... it
	>all fits.

	There are only two types of music: drum and bass, and we got 'em
both....
	(This is an old c 'n' w joke, I understand).

	If there's a ton of garbage after this message, I will drown
myself in the Clyde on Sunday.
	Cheerio
	Tim

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